I edited this transport-wheelchair story around one continuous action: use, fold, lift and load. After Effects time-remapping and matched movement compress the process without making it feel artificial, while captions and controlled reframing keep the lightweight folding mechanism readable in both the studio and parking-lot footage.
I marked the hand positions and chair orientation in each take, then cut on matching movement so the folding sequence remains spatially clear. Small position and rotation corrections inside pre-comps hide framing differences between the studio and exterior shots.
Long setup moments were shortened with Time Remapping rather than abrupt jump cuts. Speed ramps accelerate through repetitive movement and return to real time at the fold, lift and trunk placement—the frames that provide the actual product proof.
The benefit typography enters beside the chair instead of over it. Motion-tracked nulls provide a stable reference, but I smooth the tracking data and offset the copy to avoid the jitter that would come from following every handheld camera movement.
The studio and parking-lot scenes needed different corrections. I cooled the exterior highlights, controlled the car reflections and matched midtone contrast to the neutral studio material so the blue-and-black chair remains the visual constant throughout the edit.